Hack the planet.
This is such a call back and what a nice touch to add the sound to it too. That whole OST is incredible, I still pull orbital and prodigy into my current work playlists. What a fun movie.
I took my kid to Def Con. We were walking up to the convention center and there were a few hundred people milling around out front. To embarrass my kid, I shouted "hack the planet!" loudly toward the crowd. Probably a good 50% of the bystanders shouted it back at me.
I hated this movie the first time I watched it. And the second. The third time I let go of the need for things to be realistic and took it all in as an artistic representation and snap... I loved it. One could argue that I loved it all along given that I watched it so many times... but there was a distinct moment where I let go and that's when I was able to see just how wonderful this movie really is.
I adore it. And some of the representations are the best I’ve seen anywhere. Kids exploring for the fun of exploring, not to hurt anyone but just to learn? The clock whirling at 4AM while someone hyperfocuses on code? The way they tease each other but genuinely respect their abilities? It’s beautiful.
There are some niche 3D file system browsers/shells out there, but none as captivating as what's shown in the movie (or the linked "animated experience") that I can find.
Not quite filesystem navigation, but SGI IRIX's Performance CoPilot software had an IrixGL (OpenGL's precursor) UI for monitoring things like memory state, CPU/storage loads, etc.
The PCP is absolutely nowhere _near_ the graphical wizardry of the state of this app, and the overlay of executing code atop a given directory structure is quite beautiful (practicality be damned), but I can see the inspiration.
I do wonder if, on a modern Linux system with SELinix, this model (code accessing a directory) is actually closer to viable? SELinux's contexts/labels for subjects overlaying with the same for objects can, I imagine, be visualized. The normal access patterns would be way too overwhelming, I think - but exceptions/policy violations? :ponder:
PCP is still in active development. It's very cool, but probably made obsolete by otel and others. I used it on servers and services regularly until a few years ago. Very lightweight, robust and powerful.
I remember being at Summercon before this movie opened and Ericb addressing hotel conference room we were seated in talking about how Iain Softley had directed Backbeat and how happy he was that he was doing this movie and that you had to get in the right headspace to understand what it was going for.
(I think the movie is wildly overrated just as a piece of storytelling; the hacker fan-service in it is just fine, they clearly got some tfile kids to consult with the script.)
See, I can push back on that! Dazed & Confused barely has a plot. It knows what it's about. Hackers has one of those shake-and-bake 80s plots; it's like a Save The Cat movie. I get that people like the subculture stuff in it, but the movie was trying for something else and faceplanted.
Honestly I think Lawnmower Man might have had more cultural impact.
> I hated this movie the first time I watched it. And the second. The third time I let go of the need for things to be realistic and took it all in as an artistic representation and snap... I loved it.
I never managed to reach your third time. Once was enough for me, at the time, to decide it was an awful movie which didn't have anything to do with hackers or computers and which was terribly overacted, and that was that. Filed under yet another "Hollywood just doesn't get it", subsection "so bad it's embarrassing".
Much later I realized I had missed a cult classic. Oh well. I still think it's a bad movie, but I'm ok with other people loving it... maybe that's my growth moment.
I love it, but I know it's bad, but I also think it was intentionally what it is, which makes it good or even great.
If you can unlock that teenage feeling of wonder at the potential size and scope of the world and, at the right age at the right time, feeling like that world is your oyster, that's the feeling in which to watch this movie.
I refuse, however, to get into that feeling-zone for other 'high school' movies; they're stupid...
Hackers is weird in that the tech part of it is so obviously fake, but then you have the hacker culture part that goes to the point of actually quoting a large part of the "Hacker's Manifesto" in the movie.
I let go of fanboying on what Hollywood "did to" the story and instead just decided to be thankful something I love was given a new medium / audience / interpretation... and voila! now I have two things to love.
It's still fun to point out where things could've been done differently, but instead of actually disliking the film(s) because of those things, it's just another mechanism that lets me talk to my friends about something. Much more fun than riding home in silence in any case. ;)
(1) I read the book. it was awesome. If the movie fails to deliver that awesomeness then it's really upsetting as it's ruining something great for everyone that didn't read the book / see the original. They're unlikely to go check the original. They're more likely to just think "That was dumb".
(2) When they change things so much that they arguably should not have used the name.
Why choose some existing fictional world/characters just to shit on them and make it something else? If you wanted to make something else, then pick a new name, make your own IP.
I actually really liked the live action adaptation of Cowboy Bebop, and was disappointed at it's cancellation.
Unpopular opinion amongst those who grew up on the anime, but I was late to the anime so my childhood-integrity isn't dependent upon requiring a faithful one to one retelling (or whatever would satisfy those folks - possibly nothing).
I enjoyed the "Hollywood" Ghost in the Shell as a stand-alone 'thing', unrelated to the manga / anime. The ending is quite on the nose; ultra-formulaic where formulaic has no place.
I’ve said this before on hating news but the best movie that stands up is sneakers.
Just imagine somebody has invented a quantum computer with a production process that has a very high error rate so a second one can’t be easily produced.
There are 3 'official' soundtracks with various tracks from the movie and some inspired by. BUT on the 2020 double disk reissue, the second disk carries may of Pratt's tracks, including Combination..
I, too, have such a work playlist entitled "Hack the Mainframe." It's got this type of stuff along with 90s/early 2000s breakbeat songs that ended up shoehorned into car and techno thriller movies at the time. I know a lot of this music was reviled as sellout trash at the time but I was too young to know any better when I first heard it and think it still holds up phenomenally well.
In the 1990's and for us Gen-X'ers, the worst thing you could do was to sell out; to take the mans money instead of keeping your integrity. Calling people and bands 'sell outs' (sometimes without justification!) was to insult them.
With the rise of 'influencers' the opposite appears to be the case; people go out of their way to sell out and are praised for doing so. This is a massive change in the cultural landscape which perhaps many born in the 2000's aren't aware of. (Being aware of this helps give some perspective to Gen-X media and films like hackers).
This is exemplified in Wayne's World product scene. I later found out none of the companies shown in the scene had paid for their products to be in the scene. Its also one of the most iconic scenes from the movie.
This is insightful. But I'm not sure it's completely true, I think people just have shifted their perception of what selling out means.
Content creators on YouTube, for example, get criticized when they literally sell their brand to a larger conglomerate. It seems people do not complain if they do sponsorizations tho.
I'd argue the very words creating "content" implies something commercial is already in mind and is a driver, rather than just doing your own thing online and not caring (such showing a video of your band/hobby on YouTube in case anybody is interested).
To a Gen-X'er, the former sounds like they are already a sell out :-)
I certainly agree with you that perceptions have shifted.
I agree with you and I find the term "creating content" awful, even though I'm forced to use it because it's something people immediately understand.
"Content creator"... what happened to artist, playwright, painter, hobbyist, etc? It makes it seem as if they were making stuff for a corporation to sell.
It is what's happening in some cases, not all. Also, language shapes thought, so we encourage this to happen if we frame it as "content creation". It's something to push against.
Note it's not even relevant whether something is commercial. Art can be commercial and not be just "content". A musician is not a "content creator" which happens to create content in the shape of music. "Content" implies it doesn't really matters, what matters is engagement and the platform (and advertisers, etc). It's not healthy to think of hobbies, art, and entertainment as exclusively about this. Imagine if Oscar Wilde, Herman Melville, Alan Moore, etc had been thought of merely as "content creators".
This is not a new idea. Stallman was already pushing back against this "content" term decades ago.
Can recommend such a mix, too. Gather select works of The Chemical Brothers, The Dust Brothers, Bassbin Twins, Crystal Method, DJ Krush, Dub Pistols, Lunatic Calm, Meat Katie... and you're Somewhen Else during it. Works for commutes/trips, too.
> The Chemical Brothers (a), The Dust Brothers (b)
I had a couple of Dust Brothers (a) cassettes before they changed their name after getting a call from the other Dust Brothers (b).
Still can't believe they knowingly copied another band's name "because it sounded cool". Isn't coming up with a shit name half the fun? "I need a handle man".
I have this OST and the Mortal Kombat one as well on CD (mentioned together since they both have the same song, "Halcyon + On + On" on them!). When I went to a 2600 meetings in Seattle in 1999, I listened to the Hacker's soundtrack in my car on the way, of course. I gave one of the people I met there a ride and we had a laugh when he saw the case in my car. (I feel like I have a story for every song. Thanks for indulging me.)
Mortal Kombat ost had a ridiculous influence on my childhood music tastes, another absolutely amazing sound track is The Saint, check out the artists involved.
Mortal Kombat OST has a lot of good industrial (genre) in it. Bands like KMFDM, but also The Immortals (Praga Khan / Lords of Acid). Orbital - Halcyon + On + On is a good track (more mellow, and one of the many tracks perfectly mixed into the movie), but it samples Kirsty Hawkshaw from Opus III. Traci Lords - Control is actually by Juno Reactor (with vocals by Traci Lords in that version) who IMO is a rather unique/special artist (and live band), who was later featured in various The Matrix tracks. My point being, all of these artists have done a lot of great work, and the mixing was ace.
Then you have other famous bands of that time: The Orb, The Shamen, The KLF, ...
My fav. Juno Reactor live set (and album) is still hands down 'Juno Reactor – Shango Tour 2001 Tokyo' [1]
Interesting, I wouldn’t have thought of that one since I remember not being impressed by the movie at the time. On Wikipedia, a quote from a review said “on the whole, it's one of the few soundtracks that works better as an album than as a movie.” That tracks!
Awhh, I love the movie also. Could be a nostalgia thing but it's just fun. Val kilmer is basically always great and it's a nice mix of sort of spy movie tropes while having fun with it.
