> Oddly none of the anti-‘s were musicians themselves.
It is clearly plain to anyone who is a musician or hangs out with a lot of musicians that the independent music world is livid about this stuff. Everyone I’ve talked to, from acoustic songwriters to metal singers to circuit-bending pedalheads are united in their absolute hatred of this technology.
(Yes, follow-up commenter, I’ve seen the Timbaland interview)
As an independent musician, I for one welcome our AI overlords.
They should not be worried about any technology that needs a human to make it remotely interesting.
They should not be worried if they aren't generic sounding independent musicians already.
Lastly, and a historical case in point, this whole conversation is a repetition of the anti-Sampler movement of the 80s and 90s.
Look what that techno-leap brought us.
A new technology brings new sounds, if we all stopped treating a megalithic search engine as a personality, we'll move forwards with a lot less drama.
That's pretty much my point:)
A new technology brought new ideas to a cultural discipline, new forms of music, twisting and morphing the old forms, especially in the hands of the naive, yet creative youth.
I see the same opportunities here, another new tool for the artistic arsenal.
The sarcasm is irrelevant, my use of that term is more a nod towards this platform and historical replies in past discussions, in regard to similar situations. I'll make an effort to excise any superfluous attempts at humour in future posts!
It is clearly plain to anyone who is a musician or hangs out with a lot of musicians that the independent music world is livid about this stuff. Everyone I’ve talked to, from acoustic songwriters to metal singers to circuit-bending pedalheads are united in their absolute hatred of this technology.
(Yes, follow-up commenter, I’ve seen the Timbaland interview)